Christopher Mastropietro https://doi.org/10.11647/OBP.0173.0065
A few weeks ago, filmmaker George Romero passed away in Toronto. Across the city and elsewhere, remembrance vigils were held for him. It was the kind of treatment usually reserved for great musicians, artists who bared some cardinal human aspect in their work that was hitherto unexplored. In the case of Romero, the artistic reflection was a grotesque one, but estimably more profound than most people realized.
People have called him the father of the modern zombie movie, and deservedly. His innovations in the genre formed the most iconic prototype of the undead walker. A similar version is still featured in shows like The Walking Dead (set to return for its eight season in October), which presides somewhere near the crown of modern broadcasting success stories. The popularity of the genre has reached its crest in the 2000s, and has become more pervasive than its progenitors could have ever predicted. Much of the credit for this must surely go to Mr. Romero. Continue reading